Thursday, 26 February 2026

Just your type. sort of 4/5














The back cover of this book suggests it's packed with everyday tips for those keen to improve the look of their type. Very true I thought but it turns out that some of these tips are open-cast typography with others buried deep in a typographic mine. The author got inspiration from the  Printing design and layout by Vincent Steer, published in 1945. A book, obviously based on lead set type with no ragged right setting, Type matters is entirely ragged right text.

The three chapters: Background; Setting headlines and display type; Text setting, cover lots of type basics for a beginner but also some incredibly detailed items which would take a lot of work experience to master. 
A few examples:
When using parentheses, in most types their tops are level with the height of capitals, the correct suggestion, with display type, is to raise them slightly so they are centered visually on a line depth.
When using display sizes of i and j (the book uses 450 point for this example) consider lowering the dots to look more visually appealing.
With a quote, say, four lines of large display type, center the words with the quote marks hanging either side (my own inclination, if using maybe 120 point, is to reduce the size of the quote marks to 100 point). 

There things missing in these pages that any typographer should be aware of. 
You are working with copy, from a client, the marketing or editorial folk and its been written by someone else. You need to understand what the words mean and work with the writer. 
There is no reference to how to handle tabular matter, an airline timetable or plenty of ingredients that go on a food container. All this involves tiny type and it has to be readable. 
It's possible to use weights of type and delete most punctuation in non-narrative copy. Imagine a stationary range of a letterhead, business cards, compliment slips, invoices, purchase orders. Bold, medium, light and italic type faces can easily indicate meaning where plenty of punctuation would have been used in past decades.

Type matters is a quick read and worthwhile to keep for reference (a nice design job, too). Worth getting if you can find a cheap copy on the net.

Tuesday, 24 February 2026

Simple and elegant, the Nordic way 5/5


























As one would expect from Nordic countries these forty architect designed homes reflect the owner's search for simplicity and the extensive use of natural materials, wood is used in virtually every house for floors, walls or ceilings.  Six countries contribute to the book's contents, Norway with twelve has the most. Historically the houses start at the beginning of the last century with Lilla Hyttna, in Sundborn, Sweden (and open to the public) with the latest, Villa Bergslia, Oslo, Norway from 2023. 

An interesting common element is the use of large windows because several are located 
overlooking water or dramatic mountains and countryside. Two do their best to blend into the landscape, the Kamban House in the Faroe Islands and the Hof House in Iceland have grass on their roofs. Villa Birkedal and Villa Gug in Denmark with Villa Bergslia, Norway all have round sections which creates some interesting interior rooms. There are two houses that consider design styles outside of the Nordic area, Arne Jacobson's 1931 Rothenborg House in Klampenborg, Denmark is clearly in the modernist style and Matti Suuronen's 1968 rather novel flying saucer home in Espoo, Finland. Perhaps another could be the 1975 Nurmesniemi House with its exterior and interior which I thought was very reminiscent of the 1945-1949 Eames Case Study House in LA.

The author has carefully selected properties where architects have really stretched their creativity. The PAN cabins in Asnes, Norway are raised A-frame structures with a self contained spiral staircases and bridges to their entrances. Konsberg, Norway has the Greenhouse Home, with the family's rooms inside the huge glass structure.

I found one of the joys of this book is the almost square shape which allows Richard Powers beautiful photos to be big on a page or spread. Therese Vandling's excellent book design helps too. Any architect will find much to inspire them after looking at Nordic house creativity.

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Tuesday, 10 February 2026

Big apple modern, just picture it



















This the author's second book, the first was devoted to modern buildings in London (published in 2018). Actually, modern refers to structures stretching back for some decades. The first chapter, the 1920s, starts with Raymond Hood's 1924 American Radiator Building. The 1930s produced iconic New York architecture: 40 Wall Street; Chrysler and Empire State Buildings; Rockefeller Center; World's Fair (though, only for two years) and remarkably these were all erected during the American Depression years.

The book continues up to 2010 and I think one of the strengths of the pages are illustrations of buildings that may not be famous but are architecturally interesting and create worthwhile illustrations. The pictures are all head-on renderings with added shadows that give them a dimensional feel. My only criticism is that the buildings just end at their bottom. I would have preferred to see some indication of a pavement and maybe some street furniture to complete the pictures. 

Each building gets a facts and figures essay, the author seems to have done a ton of research and he writes in a lively conversational style. A really nice touch are what might be called visual sidebars that look at New York transport. Obviously yellow cabs but also police cars, busses, trains, helicopters, planes, ferries and more. Each gets in illustration and a comprehensive caption.

The beautiful illustrations create a fresh look at this amazing city. I would suggest Mr Novotny's next book should be Los Angeles.

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