This is Taschen's second Noir book. Same title, same authors (though a slightly different cover typography) published in 2015 with 686 pages (ISBN 978 3836543569). This new edition has 896 pages but both books consider the top hundred movies. I found it odd that Noir movies, at least in this book, start with the 1920 'The cabinet of Dr Caligari' and run up to 2019 with 'Uncut gems' and 'The Wild Goose Lake'.
For me, Noir style involves a certain kind of screenplay, direction, lighting, location etc and is basically an American genre. Starting around the 1940s ('High Sierra' or 'The Maltese Falcon' for example) and fading by 1960 ('Odds against tomorrow'). Anything either side of these dates I would class as non-Noir crime movies.
The format for the hundred is the same throughout the book. Each movie starts on a spread with technical details on the left and a poster on the right-hand page; the following six or eight pages have captioned stills and a worthwhile essay about the title. The first fifty-two pages have three illustrated essays about the chosen hundred. Ten back pages list a thousand movies in year order; no doubt you'll find your faves in this listing.
This is a memory-jogger of a book for fans of Noir (or crime) movies. A slight downside is that all the pages are black, which shows up finger marks.
Fans of Noir will enjoy this marvellous book of posters, which you can see here:
UK


