Saturday, 7 March 2020

It's cold outside

























Turek's photos certainly capture the coldness of Siberia, the area covers about sixty percent of Russia and so big it has three climate zones, all with very short summers. I was surprised that out of ninety photos in the book there are only two that show the landscape untouched by humans but the book is really about how the hardy locals survive in this harsh country.

Most of the exterior shots show plenty of snow with everyone well wrapped up against the cold. The interiors reveal a much more interesting view of how Russians live, either it seems in high rise apartment blocks or rather miserable housing with a general feel of untidiness and neglect. Is this a throwback to the days of the Soviet Union when the state controlled everything or because the cold reduces activity?

The photos are presented in the classic photobook format of one picture on each right-hand page and just the Plate number on the left. There is a serious flaw with the book though: absolutely no information about any of these images and some of them are intriguing enough for me to ask..."what's going on here?" Plate forty-one shows a person with an umbrella walking up some steps on the outside of a  building shaped like a huge abstract head, maybe it's a house! Plate forty-six reveals a weird looking small submarine with portholes and it seems permanently fixed at the waters edge. Plate fifty-seven has four men laying on the ice, each looking down into a small hole and each of them holding what looks like a drinking straw, in the background is the snowmobile they arrived in.

No dates, names of places and no captions which would add extra credence to so many of these interesting photos. A serious omission in my view.

 


Thursday, 5 March 2020

A capital investment
















 















Published in 1992 to celebrate fifty years of business Capitol issued this 220 page, very lavish and free promotion book in paperback and hardback, my copy is numbered 1860 (and also an eight CD box of their top selling artists over the decades). Because the book is basically a PR exercise the copy is obviously none too critical about the artists or the companies operations. The reason I love this book is the completely over-the-top design, every page is a sort of visual explosion of star photos with various treatments, coloured panels, graphics and lots of different typefaces for the headlines. It's beautifully produced with good printing and paper but one major flaw, it was side stapled so it's impossible to open flat or even vaguely flat. In fact, this is the only thick, large sized book I have ever seen bound like this.

Copies of both versions of this book are available on the net though quite expensive but nowhere near as expensive as Capitol's seventy-fifth anniversary book published by Taschen in 2017. It's a truly huge book but unfortunately blandly designed and just full of large PR shots of the companies recording artists and it doesn't have too much to say about the history of Capitol in the forties and fifties.

Because of the cost I only think it's worth buying Capitol's fiftieth if you are interested in design and want to see a beautifully designed book.

 

 
 

 

Colorful aspirations




The 2004 Aperture Colorama book (ISBN 1931788448)






















The thousands who used Grand Central Terminal daily must have been in awe of these huge colored photos that changed every few weeks from 1950 to 1990. The book has eighty-three of the 565 that were displayed over the years. A previous book (Aperture ISBN 1931788448 which I reviewed in 2004) about Colorama only had forty-three presented in a thin landscape title and rather annoyingly some of the images were trimmed.

The intro refers to Kodak's snapshot aesthetic to create the impression that any consumer could buy the company's camera and film and then take snaps just like the sixty-foot wide version they saw every day at Grand Central. If only...the Colorama photos were carefully staged, especially the interior ones featuring aspiring, white, middle-class nuclear families taking photos in their suburban homes. Colorama 314 from 1968 called 'Children breaking wishbone' has a son and daughter leaning over a table with the turkey, pulling the wishbone, ma is behind the smiling dad who has the camera and is about to click away, watching on either side of the room are the smiling grandparents. No doubt hours of work were involved in setting up this domestic tableau and also time taken to select the six models who had to represent exactly the ideal family in Saturday Evening Postland.

On the back pages, there is an index with eight largish thumbnails on each spread of all the photos in the book and it's possible to see that Kodak did their best to vary the shots, several featured tourist spots around the world, New York World's Fair in 1964, the 1971 moon landing, animals get a look in with pandas, a cheetah, koalas, deer in the snow.

The book is nicely produced and includes four fold-out pages. I don't suppose now that any publisher will have a go at doing a book with all 565 Colorama photos that millions of commuters saw in the now-distant past.

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